Gichin Funakoshi
Antidote To March Madness
If you happen to live in the U.S. of A. you know that there is hardly a way around March Madness.
Well, how about a healthy antidote without any known negative side effects and no FDA approval needed?
Yep, martial arts quotes. Some will make you think and others will make you smile.
Enjoy!
“A warrior may choose pacifism; others are condemned to it.” – Author unknown
“Don’t hit at all if it is honorably possible to avoid hitting; but never hit softly.
“- Theodore Roosevelt
“Cry in the dojo. Laugh on the battlefield.”
- Author unknown
“Each of us has his cowardice. Each of us is afraid to lose, afraid to die. But hanging back is the way to remain a coward for life. The Way to find courage is to seek it on the field of conflict. And the sure way to victory is willingness to risk one’s own life.” – Mas Oyama (Kyokushin Karate)
“He who hesitates, meditates in a horizontal position.” – Ed Parker (American Kenpo)
“Do or do not, there is no try.” – Yoda (Jedi Arts)
“Always be able to kill your students.” – Masaaki Hatsumi (Bujinkan Ninjutsu)
“A good martial artist does not become tense but ready, not thinking but yet not dreaming. Ready for whatever may come.” - Bruce Lee
“Champions aren’t made in gyms. Champions are made from something they have deep inside them – a desire, a dream, a vision. They have to have the skill, and the will. But the will must be stronger than the skill.” - Muhammad Ali
“Courage is being afraid, but then doing what you have to do anyway.” - Rudy Giuliani
“The one who has conquered himself is a far greater hero than he who has defeated a thousand times a thousand men.” - The Dhammapada
“Success is going from failure to failure without loss of enthusiasm.” - Winston Churchill
“Success is never final. Failure is never fatal. It is courage that counts.” – Winston Churchill
“Never interrupt your enemy when he is making a mistake.” - Napoleon Bonaparte
“The more you sweat in training, the less you bleed in combat.” - Navy SEALs
“Those who are skilled in combat do not become angered, those who are skilled at winning do not become afraid. Thus the wise win before the fight, while the ignorant fight to win.” - O Sensei Ueshiba
“The measure of a man is not in how he gets knocked to the mat, it is in how he gets up.” - Unknown, but could have been me. Really.
“Strength does not come from physical capacity. It comes from an indomitable will.” - Mahatma Gandhi
“You carry on no matter what the obstacles. You simply refuse to give up … and, when the going gets tough, you get tougher. And you win.” - Vince Lombardi
“If you’ll not settle for anything less than your best, you’ll be amazed at what you can accomplish in your lives.” - Vince Lombardi
“No one can defeat us unless we first defeat ourselves.” - Dwight Eisenhower
Some Great Martial Arts Quotes
I found some quotes that begin with Bruce Lee and end with Bruce Lee. Enjoy!
To me, the extraordinary aspect of martial arts lies in its simplicity. The easy way is also the right way, and martial arts is nothing at all special; the closer to the true way of martial arts, the less wastage of expression there is.
- Bruce Lee
You may train for a long time, but if you merely move your hands and feet and jump up and down like a puppet, learning Karate is not very different from learning a dance. You will never have reached the heart of the matter; you will have failed to grasp the quintessence of karate-do.
- Gichin Funakoshi
Aikido is not a defensive martial art. Being defensive is a terrible way to go through life.This means be proactive. It does not mean hit first.
- Dojo wall
The ultimate aim of karate-do lies not in victory or defeat,
but in the perfection of the character of its participants.”
- Gichin Funakoshi
A black belt is nothing more than a belt that goes around your waist. Being a black belt is a state of mind and attitude.”
- Rick English
The art of the sword consists of never being concerned with victory or defeat, with strength or weakness, of not moving one step forward, nor one step backward, or the enemy not seeing me and my not seeing the enemy. Penetrating to that which is fundamental before the separation of heaven and earth where even yin and yang cannot reach, one instantly attains proficiency in the art.
- Takuan
He who knows not and knows not he knows not, He is a fool- Shun him. He who knows not and knows he knows not, He is simple- Teach him. He who knows and knows not he knows, He is asleep- Awaken him. He who knows and knows that he knows, He is wise- follow him.
- Bruce Lee
Truth has no path. Truth is living and, therefore, changing. Awareness is without choice, without demand, without anxiety; in that state of mind, there is perception. To know oneself is to study oneself in action with another person. Awareness has no frontier; it is giving of your whole being, without exclusion.
- Bruce Lee
“Karate, The Art Of Empty Hand Fighting” By Hidetaka Nishiyama
An absolute karate classic turns 50 this year!
I am talking about the a book that is regarded as THE text book when it comes to Karate Do and the way it was meant to be interpreted, performed and lived.
“Karate, The Art Of Empty Hand Fighting” by Hidetaka Nishiyama was published in 1960 and today it is still the best selling karate text book in history.
Nishiyama Sensei started his karate training under the founder of Shotokan, Gichin Funakoshi, at the age of 15.
By the age of 18 he was a 1st degree black belt and two years later he was a Nidan.
When he was only 24 years old, he was already training U.S. military of Strategic Air Command and just a year later he was invited to tour and teach Shotokan karate on U.S. mainland military bases.
In 1960, “Karate, The Art Of Empty Hand Fighting” was published.
Throughout the years or better decades, Nishiyama Sensei taught and promoted martial arts and Shotokan Karate in specific.
His lifelong work was recognized through numerous awards and honors in the U.S. and overseas.
Nishiyama Sensei (10th Dan) died in 2008 in Los Angeles, California.
R.I.P., Nishiyama Sensei.
Two Of My All-Time Favorite Shotokan Karate Katas
Yesterday, I already talked about karate katas by re-introducing former World Champion, Jean Frenette.
Today, I would like to share the two katas I used to really like doing while practicing Shotokan karate.
The first one is known as Enpi which translated means ‘Flying Swallow’ and the kata itself tries to depict the dynamic fighting form of a swallow in flight. Hmm.
And the second one is called Jion (translated ‘Temple of Love and Goodness’). It clearly emphasizes the importance of the perfection of the basic stances, notably zenkutsu dachi (front stance) and kiba dachi (horse stance).
Hirokazu Kanazawa, 10th Dan, the Chief instructor and President of Shotokan Karate-do International Federation, impressively demonstrates both of them for us.
By the way, Sensei Kanazawa is one of the very few remaining karateka who were able to train under the founder of Shotokan karate, Gichin Funakoshi.
Alright then, tighten your belt for Enpi and Jion:
Shotokan Karate According To Gichin Funakoshi
Today I would like to share with you something about the style that got me so excited about martial arts in the first place.
The style is called Shotokan Karate and who could really describe it better than the actual founder of the style himself: Gichin Funakoshi, an Okinawan who introduced karate to Japan in 1917 and later again 1922.
Shotokan Karate is currently enjoying somewhat of a second wind of attention and popularity especially with UFC top competitors such as Lyoto Machida and Vitor Belfort applying some of its typical elements.
Here are some excerpts of Funakoshi-Sensei’s descriptions and observations:
“In Okinawa, a miraculous and mysterious martial art has come down to us from the past.
It is said that one who masters its techniques can defend himself readily without resort to weapons and can perform remarkable feats: the breaking of several thick boards with his fist or ceiling panels of a room with a kick.
With his shuto (“sword hand”) he can kill a bull with a single stroke; he can pierce the flank of a horse with his open hand; he can cross a room grasping the beams of the ceiling with his fingers, crush a green bamboo stalk with his bare hand, shear a hemp rope with a twist, or gouge soft rock with his hands.
Some consider these aspects of this miraculous and mysterious martial art to be the essence of Karate-do.
But such feats are a small part of karate, playing a role analogous to the straw-cutting test of kendo [Japanese fencing], and it is erroneous to think that there is no more to Karate-do than this.
In fact, true Karate-do places weight upon spiritual rather than physical matters.
True Karate-do is this: that in daily life, one’s mind and body be trained and developed in a spirit of humility; and that in critical times, one be devoted utterly to the cause of justice.
Karate-do is a martial art peculiar to Okinawa in its origins. Although it has in the past tended to be confused with Chinese boxing because of the use of the chinese “kara” character in its earlier name, in fact for the past thousand years, the study and practice of masters and experts, through which it was nurtured and perfected and formed into the unified martial art that it is today, took place in Okinawa.
It is, therefore, not a distortion to represent it as an Okinawan martial art.
One may ask why the chinese “kara” character has been retained for so long.
As I discuss in the section “The Development of Karate-do,” I believe that at the time the influence of Chinese culture was at its peak in Japan, many experts in the martial arts traveled to China to practice Chinese boxing.
With their new knowledge, they altered the existing martial art, called Okinawa-te, weeding out its bad points and adding good points to it, thus working it into an elegant art.
It may be speculated that they considered “kara” (with the chinese character) an appropriate new name.
Since, even in contemporary Japan, there are many people who are impressed by anything that is foreign, it is not difficult to imagine the high regard for anything Chinese that prevailed during that period in Okinawa.
Even at the time of the present writer’s youth, lack of a full set of Chinese furniture and furnishings in one’s home was a serious impediment to the social influence of any leading family.
With this background, the reason for the choice of the Chinese “kara” character, meaning “Chinese,” as a simple case of exoticism is apparent.
Following tradition, the writer has in the past continued to use the Chinese character.
However, because of the frequent confusion with Chinese boxing, and the fact that the Okinawan martial art may now be considered a Japanese martial art, it is inappropriate, and in a sense degrading, to continue use of the old “kara” in the name.
For this reason, in spite of many protests, we have abandoned the use of it to replace it with the new character KARA.
The first connotation of kara indicates that karate is a technique that permits one to defend himself with his bare hands and fists without weapons.
Second, just as it is the clear mirror that reflects without distortion, or the quiet valley that echoes a sound, so must one who would study Karate-do purge himself of selfish and evil thoughts, for only with a clear mind and conscience can he understand that which he receives.
This is another meaning of the element kara in Karate-do.
Next, he who would study Karate-do must always strive to be inwardly humble and outwardly gentle.
However, once he has decided to stand up for the cause of justice, then he must have the courage expressed in the saying, “Even if it must be ten million foes, I go!”
Thus, he is like the green bamboo stalk: hollow (kara) inside, straight, and with knots, that is, unselfish, gentle, and moderate. This meaning is also contained in the element kara of Karate-do.
Finally, in a fundamental way, the form of the universe is emptiness (kara), and, thus, emptiness is form itself.
There are many kinds of martial arts, judo, kendo, sojitsu (“spear techniques”), bojitsu (“stick techniques”), and others, but at a fundamental level all these arts rest on the same basis as Karate-do.
It is no exaggeration to say that the original sense of Karate-do is at one with the basis of all martial arts. Form is emptiness, emptiness is form itself. The kara of Karate-do has this meaning.”
Or as Paul Harvey always said, “Now you know the rest of the story.”
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